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Circulation of Material Culture & Dissemination of the Arts

As the Ryukyu Kingdom came face to face with the epochal changes that affected all of East Asia as it entered the modern era, a variety of major incidents forced the kingdom to make consequential political choices. However, if we wish to explore the cultural developments that occurred beyond the realm of that era’s fluctuating political and diplomatic relationships, then we need to turn our attention towards the Ryukyu Kingdom’s extroverted character. Historically speaking, Ryukyu was an extremely outward-facing kingdom, able to absorb and integrate a wide variety of external influences. As a result, just as it established all-embracing foreign affairs policies, the kingdom also gave birth to its own unique culture of the arts. These styles came about in part via exposure to the Sinosphere, which spurred advancements in Ryukyu’s arts and crafts. At the same time, Ryukyu’s subordination to Japan led folk arts and crafts to develop in ways that reflected deep influences stemming from its northern neighbor. Centuries of interaction, absorption, imitation, and creativity in the Ryukyu Kingdom bequeathed modern-day Okinawa with an abundance of priceless cultural inheritances.

Gifts of state and tribute to the emperors

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  • Record of a dispute over prices of merchandise carried in a crown ship

    18th year of the Daoguang reign(1838), Qing dynasty
    Length 28.5cm Width 20.5cm
    Compiled by the Shuri Palace, Ryukyu Kingdom
    Collection of the National Taiwan University Library

  • On the tributary offerings from King of Chūzan, Shō Shin of the Ryukyu Kingdom

    18th day of the 8th month of the 4th year of the Zhengde reign (August 3, 1509), Ming dynasty
    From Vol.1, fascicle 42 of Lidai Baoan (Precious Documents of Successive Generations)
    Compiled by Sai Taku, Ryukyu Kingdom
    Length 27.3cm Width 19 cm
    Collection of the National Taiwan University Library

Crafts and merchandise

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  • Silk-lined red bingata robe with motif of dragons, pearls,and auspicious clouds

    18th-19th centuries
    Length 133cm Width 118cm
    Collection of the Naha City Museum of History
    Certified National Treasure
    Exhibition Period:10/1-10/13

  • Yellow bingata cotton robe with motif of chrysanthemums, peonies, clouds, and long-tailed birds

    Okinawa Main Island Second Shō dynasty
    Ryūkyū kingdom (19th century)
    Collection of the Tokyo National Museum
    Exhibition Period 10/15-12/1

  • Celadon-glazed porcelain jar with incised design featuring

    branches laden with flowers and fruit
    Longquan ware
    Ming dynasty

Spreading painting styles: From imitation to establishing a unique style

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  • Desolate Temple in Snowy Mountains

    Fan Kuan
    Song dynasty
    Ink and colours on silk
    Exhibition Period 9/7-10/6

  • Divine Cat

    Go Shiken (Yamaguchi Soki)
    Ink and colours on Paper
    3rd year of the Yongzheng reign, Qing dynasty
    Collection of the Naha City Museum of History
    Designated cultural property of Okinawa Prefecture
    Exhibition Period 9/7-10/6

  • Finger Painting of a Tiger

    Hua Chiu
    Qing dynasty
    Ink and colours on silk
    Length 157 cm Width 96.4cm
    Donated by Mr Lin Tsung-i
    Exhibition Period 11/5-12/1

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