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  • Rubbing of Stone Carved Portrait of the Wu Family Shrine

    Han Dynasty

    Paper

    The rubbing was from the lower west wall on the lef t side of the Wu Family Shrine in Shandong Province, portraying the story of seven daughters taking vengeance for their father. The Wu Family Shrine is located in Jiaxiang County, Jining City, Shangdong Province. The entire site includes the three stone halls above ground and two gate towers of the Wu Family Tomb from the late Eastern Han dynasty. The Wu Family Shrine was built in the first year of the Jianhe reign of Emperor Huan (147).

    The picture tells the story that the county magistrate killed the father of seven daughters unjustly. Therefore, the seven women used the opportunity of the magistrate’s carriage to cross the Weishui bridge; five of them stopped the carriage and forced it to fall into the river, and the other two women on a boat ambushed under the bridge, launching an at tack on the magistrate in the water to avenge the death of their father.

  • Rubbing of Taishi Gate Tower with Inscription at Songshan

    Han Dynasty

    Paper

    The Taishi Gate Tower was built in the 5th year of Yuanchu reign of Emperor An (118) in the Eastern Han dynasty, located in the Zhongyue Temple in front of the Taishi Mountain in Songshan, Henan Province. It originally served as the ceremonial gate tower of Taishi Mountain Temple in the Han dynasty, divided into two parts on the east and west; the gate towers used stones in rectangular and cube shapes to complete the construction. The gate tower has the title in seal script carved in relief and inscriptions in clerical script, with vertical divisions separating each line.

    Pat terns of vivid f igures in various poses, carriages, animals and plants fully decorate the remaining stone surface, which provide valuable physical materials for researching paintings and social customs in the Han dynasty. The calligraphy in clerical script demonstrates a balanced structure in an unpolished manner, carrying the spirit of the seal script; it is considered an outstanding artwork of the extant carved inscriptions from the Han dynasty.

  • Rubbing of Shaoshi Gate Tower with Inscription at Songshan

    Han Dynasty

    Paper

    The ‘Three Gate Towers of Songshan’ is the collective name of the Taishi, Shaoshi and Kaimu temple gate towers, located in the Songshan area in Henan Province. They are the most ancient temple gate towers existing in China. The Shaoshi Gate Tower sits under the Shaoshi Mountain on the west of Dengfeng County, Henan Province. It was the ceremonial gate tower of Shaoshi Lady Temple built by Yingchuan Prefect Zhu Chong in the 2nd year of Yanguang reign of Emperor An (123) in the Eastern Han dynasty. The style is similar to the Taishi Gate Tower. The calligraphy of ‘Inscription of Shaoshi Gate Tower’ is in seal script, presenting a genuine style embedded with the grandness of expertise. The title is writ ten in clerical script. The pictorial decorations fully cover the rest of the surface, as seen on the Taishi Gate Tower. The calligrapher Wang Shu from the Qing dynasty commented that ‘Although the carving is not skilful enough, the unique calligraphy shows a honest quality’.

  • Rubbing of Stone Carved Portrait at Xiaotang Mountain Stone Hall

    Han Dynasty

    Paper

    The stone hall of the Guo Family Tomb sits on the Xiaotang Mountain in Jinan, Shandong Province. The inside of the stone hall has numerous craved portraits, including themes commonly seen in the tombs of aristocrats in the Han dynasty, activities such as court meeting, formal visiting, outing, hunting, and acrobatics entertaining. The hall's exterior wall has countless inscriptions by travellers; the earliest one was writ ten in the mid-Eastern Han dynasty. Additionally, the painting style shows similarity to the stone carving from the Yongping reign of the Eastern Han dynasty, which was excavated from the nearby area of Feicheng; thus, it suggested that the construction period of the Xiaotang Mountain Stone Hall should be around the time of Emperor Ming, Han dynasty. The rubbing of the portrait in light-carved lines originated from the Xiaotang Mountain Stone Hall, using the technique of single-line engraving. The image sits on the same level as the stone surface, which gives an ef fect similar to the line-drawing paintings.

  • Rubbing of Yellow Dragon and White Deer on the Monument of Wudu Prefect Li Xi

    Han Dynasty

    Paper

    On the right side of the ‘Monument of Li Xi’, there is a carved ‘Picture of Five Auspicious Signs’ and inscriptions, and since the words ‘yellow dragon’ were inscribed on the top, therefore it is also known as ‘Monument of Yellow Dragon’. The side of the Monument used engraving techniques to portray the promising signs of yellow dragon, white deer, f ine grain, conjoined wood, falling dew, and receiving dew, which happened during the governance of Li Xi. The yellow dragon and white deer are divine animals, the f ine grain represents the abundant harvest, and the conjoined wood symbolizes the virtuous Emperor; it is believed that drinking the dew falling from the tree will obtain health and longevity. The ‘Picture of Five Auspicious Signs’ gives detailed depictions implied with propitious meanings. The displayed exhibits are rubbings in black and red ink.

  • Eulogy of the Fuge Plank Route

    Qiu Fu, Han Dynasty

    Paper

    The ‘Eulogy of Fuge Plank Route’ has the full name of ‘Eulogy of Han Dynasty Wudu Prefect Li Xi for Building the Fuge Plank Route near Xili Bridge’, also called the ‘Monument of the Praise of Fuge Plank Route’; it was built in the 5th year of Jianning reign (172). Qiu Jing had done the content, and the calligraphy was written by Qiu Fu, honouring the Wudu Prefect Li Xi’s construction of the Fuge plank route. The original location was at Lueyang County, Shanxi Province; the upper right corner of the carved stone has seven abrasion marks done by pulling of boat ropes; the cause was due to its location being on the turning point of the clif f, and boat trackers would of ten tie the rope on the stone as a pivot stand to save strength, which resulted in visible abrasion marks. The style is unsophisticated and elegant in a majestic manner, together with the ‘Eulogy of Stone Gate’ in Hanzhong and the ‘Eulogy of Xixia Plank Route’ in Cheng County are called the ‘Three Eulogies of Han’.

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