The Conversion of Connoisseurship on the Imperial Antiquities Academic Symposium
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Papers

Papers will be available for download on the same day of the symposium.

Keynote speech

Speaker
Topic
Susan Naquin
The Qing Imperial Collection: Objects in Motion
Ming-liang Hsieh
Rethinking the Shapes and Patterns of Goryeo Celadon Wares

Papers

Presenter
Topic
Eric Lefebvre
To Recognize the Construction of the National Palace Museum from the French Perspective
Guolong Lai
The Changing Quality of Artefacts Collected by the Qing Court and the Coinciding International
Yu-ping Luk
Representing "Chinese Civilisation": The Collecting and Display of Qing Imperial Paintings at the British Museum
Ming Wilson
How Did Emperor Qianlong View the "English Tributes"
Hui-hsia Chen
The Wooden Bowls from Tibet: The Interaction Between the Qing Court and Tibet
Duncan Bull
The Collecting and Connoisseurship of Italian Paintings in the Netherlands
Yi-li Hou
From Huojidang to Recognize the Reassembling of Nine Baishijian Curio Boxes by the Emperor Qianlong
Pei-chin Yu
The Chenghua Official Ware Collected by the Emperor Qianlong: A Study on the Caiyiiuxia Case
Hui-wen Lu
The Changes of Calligraphy Modelbooks Collected by the Neifu Imperial Inner Court of the Song Dynasties and the Re-editions of the Pavilion Modelbook
Ya-hwei Hsu
The Antiquity Collection of the Southern Song Dynasty: The Structure of Academic Institutes Formed by the Emperor, Ministers, and Officials
Shih-hua Chiu
Through the Paintings of Dong Gao to Observe the Changing Taste of Connoisseurship of Gaozong and Renzong in Paintings
Hsiao-yun Wu
Re-interpret the Tradition with Cast Imitations: The Imperial Mirrors Accomplished in the Qianlong Reign
Yuan-ting Hsu
The Production of the Qing Court Miniature Editions in the 18th Century and the Imperial Rewards from the Empero
Jan van Campen
A Chinese Collection in 18th Century The Hague, The Netherlands
Tsukamoto Maromitsu
Chinese Paintings Collected by the Qing Court and the Edo Bakufu
Béatrice Quette
Western Collectors and Chinese Cloisonné Enamels. 1860's – 1920's : David David-Weill's Exceptional Taste
Nicole Chiang
To Collect and to Treasure -- the Relationship Among the Collection, Visual Sense, and Display in the Eastern and Western Imperial Courts
Marta Ajmar
'Held up to the Light': Chinese Ceramics, Material Mimesis and Useful Knowledge in the Italian Renaissance