| |
Topic |
Speaker |
| 1-1-1 |
Global Capitalism and Local Artistic Taste in Late Imperial/Early Modern China, 1600-1800 |
Benjamin A. Elman |
| 1-1-2 |
The Dresden Porcelain Project: Microcosm of A Global Trade |
Cora Würmell |
| 1-1-3 |
Chinoiserie at a Baroque Court: Chinese Porcelain in the Collection of Augustus the Strong |
Sun, Yue |
| 1-2-1 |
Between Science, Art and Religion: A Textural Research and Explanation on Painter Jiao Bingzhen in Kangxi's Court |
Han, Qi |
| 1-2-2 |
Issues Related to the Production of Ceramics as Seen in the Letters of Père François Xavier d'Entrecolles |
Yu, Pei-chin |
| 1-2-3 |
A Historical Reading of Western Painters in Early Qing Court |
Guo, Meixia |
| 1-3-1 |
Trained to be Receptive, Celebrated for being Forgotten: Castiglione’s Artistic Training and New Art Historical Perspectives |
Marco Musillo |
| 1-3-2 |
A Study on Two Spring's Peaceful Message in the Collection of the Palace Museum |
Zhang, Zhen |
| 1-3-3 |
Accommodation and Jesuit Creativity: Some Proposals Regarding Possible Sources for Giuseppe Castiglione's Paintings in China |
Francesco Vossilla |
| 2-1-1 |
A Study on Cooperative Paintings by Giuseppe Castiglione : Based Mainly on the Works in the National Palace Museum Collection |
Wang, Yao-ting |
| 2-1-2 |
The Qing Court, Europe and Japan: Webbing the Production of Album of Birds and its Proliferation in Asia |
Lai, Yu-chih |
| 2-1-3 |
Pigments and Coloration in the Paintings of Giuseppe Castiglione |
Chen, Tung-ho |
| 2-2-1 |
Reconsidering the Painting Machang Defeating the Enemy in the Berlin Collection |
Wang, Ching-ling |
| 2-2-2 |
A Study on the “Imperial Portrait”’ of Qianlong in his First Anthology of Imperial Poetry |
Chiu, Shih-hua |
| 2-2-3 |
The Reception of Giuseppe Castiglione in Early Republican China |
Liu, Yu-jen |
| 2-3-1 |
The Discovery of Spatial Depth: How the Japanese Adopted the Vision of European Origin |
Oka, Yasumasa |
| 2-3-2 |
Seeing the World Differently: Qing Art and Optical Devices |
Kristina Kleutghen |
| 2-3-3 |
A Comparison of Paintings Merging Chinese and Western Elements by Giuseppe Castiglione and Ding Guanpeng |
Zhang, Rui |
| 3-1-1 |
Indian Cotton Goods in 16th-17th-Century China |
Chen, Kuo-tung |
| 3-1-2 |
Cultural Exchanges between the Ming and the Timurids in the Early 15th Century: A Study Focusing on The Horse with Chinese Grooms and The White Gyrfalcon in the Collection of the Topkapi Palace Museum |
Ma, Shunping |
| 3-1-3 |
18th-Century Gelug-pa Scholars' Grasp of Christianity and Islam |
Liu, Kuo-wei |
| 3-2-1 |
A Dutch Sarasa: An Early 18th Century Coromandel Textile Design, from Holland to Japan |
John Guy |
| 3-2-2 |
Southeast Asia Textiles in Europe-Asia Cross-cultural Exchanges: A Study of Japanese Sarasa |
Huang, Yun-ju |
| 3-2-3 |
Handmade Lace and China |
Tao, Xiaoshan |
| 3-3-1 |
Europe Meets Edo Bijin: A Study of the Design of Japanese Beauty in 17th- and 18th-Century Export Imari Porcelain |
Kobayashi, Hitoshi |
| 3-3-2 |
The Ivory ‘Immortal's Works' of the Qianlong Court: With Special References to Its Interaction with the West |
Shih, Ching-fei |
| 3-3-3 |
Revisiting Qianlong Emperor's Imperial Archive: The Song-Ornament |
Weng, Yu-wen |
