30.3 cm (vertical) × 30.5 cm (horizontal)

 

On May 27, 1101, having narrowly escaped death in Hainan Island, Su Shih wrote this letter while en route to Nanjing, addressing his friend Du Chuan (courtesy name Mengjian, c. 11th–12th century). At the time, Su was likely gravely ill and aware that his days were numbered. However, he did not succumb to despair nor did he lament his suffering in the letter. Instead, he expressed longing and blessings, leaving his enduring passion for life as a gift to his dear friend.

 

This letter exhibits a style close to regular script, with a spacious and broad structure throughout. The ink is rich and bold, and each stroke is written slowly and deliberately, reflecting a sincere and solemn attitude. The characteristic of slightly lifting the right shoulder and a vigorous posture is tied to Su Shih’s study of the calligraphy of Li Yong (678–747). Many strokes display a clear trembling effect, showcasing deliberate pressure on the brush, a technique borrowed from Yan Zhenqing’s (709–785) To Pao T’a Pei (Stele of the Abundant Treasure Pagoda). However, the work avoids stark contrasts in the size of characters, thickness of strokes, and weight of composition. Instead, it demonstrates simplicity, density, and straightforwardness in its layout, creating a steady rhythm and a profound, contemplative atmosphere.