Ashikaga Yoshimasa

Waka tanzaku

Ashikaga Yoshimasa

Waka tanzaku

Hanging scroll, ink on paper

37.1 cm (vertical) × 25.4 cm (horizontal)

Ashikaga Yoshimasa (1436–1490), the 8th shōgun of the Muromachi shogunate (1338–1573), made outstanding achievements in art. During this time, traditional Japanese art such as Noh dramas, flower arrangement, garden designs, architecture, Japanese tea ceremonies, and waka poetry flourished significantly. These cultural developments, collectively known as “Higashiyama Culture,” extended beyond the aristocracy and gradually influenced the lives of commoners. However, artistic refinement alone could not sustain effective governance. Political missteps and succession disputes during Yoshimasa’s rule led to the Ōnin War, a decade-long conflict that divided the shugo daimyō into opposing factions. This war marked the beginning of Japan’s Sengoku (Warring States) period, which lasted nearly a century.

 
This work is a waka poem written in ink on tanzaku (a type of Japanese paper). The washi used is known as “unshi” (cloud paper), so named because its surface features patterns resembling clouds, created by dyeing long fibers that flow across the sheet. In the early Muromachi period, unshi was often used for writing waka during waka or Japanese tea ceremonies. When using unshi, blue, which symbolized the sky, must appear at the top, while purple, which represented the earth, must be at the bottom; any reversal of this order was believed to portend calamity. The content of this work is a waka poem praising blossoming flowers, written in a combination of kanji and kana. The strokes are fluid, the words are slightly expansive, and the brushwork displays rich variations in thickness, mostly employing rounded strokes. The kanji are written in running and cursive scripts, resembling the style of Fujiwara no Yukinari (972–1028) from the Heian period, while the graceful kana seamlessly blend with the kanji, exemplifying the refined wayō calligraphy. Although no confirmed works by Ashikaga Yoshimasa survive today, which makes the determination of the authenticity of this piece difficult, the elegant calligraphic style, ethereal unshi, and poetic imagery of blooming flowers evoke the refined atmosphere of Muromachi-period tea ceremonies, particularly those hosted by Ashikaga at the meticulously designed Ginkaku-ji.
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