109 cm (vertical) × 394.4 cm (horizontal)

 

Emperor Kangxi, a devout advocate of Confucianism and Neo-Confucianism, was diligent in his study of calligraphy throughout his life. He imitated ancient calligraphy from the Jin and Tang dynasties onwards, and received guidance from Shen Quan (1624–1686) to master Dong Qichang’s (1555–1636) cursive script while drawing inspiration from renowned calligraphers of the Song and Yuan dynasties. The work boasts meticulous composition, with clearly defined layers and precise brushstrokes. It is recognized as the original model for plaques bearing the emperor’s inscription found in Confucian temples nationwide. The characters are robust, with steady strokes, evenly distributed strength, and decisive, swift finishing strokes, making the work an exceptional example of the emperor’s monumental calligraphy. The seal at the lower edge reads “Guang Yun Zhi Bao” (Treasure of Vast Fortune), presented in bilingual format with Manchu on the left and Chinese on the right. According to the Court Records of the Kangxi era, Emperor Kangxi bestowed over 800 imperial calligraphic works, showcasing his strategic use of such inscriptions to build connections across various social circles.