Song dynasty AD960-1279

Su Shih (1036-1101)

Former Ode on the Red Cliff

Song dynasty AD960-1279

Su Shih (1036-1101)

Former Ode on the Red Cliff

Roll, ink on paper

23.9 cm (vertical) × 258 cm (horizontal)

On July 16, 1082, Su Shih (1037–1101) and his friends sailed to Red Cliffs outside Huangzhou (modern-day Huanggang, Hubei). Inspired by the Battle of Red Cliffs from over 800 years prior, he composed Former Ode on the Red Cliff, expressing his reflections on the universe and life. In October of the same year, he revisited the site and composed Latter Ode on the Red Cliff. These masterpieces, timeless in their brilliance, brought Su immense pride, though he hesitated to share them casually, leaving him with a sense of frustration. The following year, Fu Yaoyu (1024–1091), residing far away in Mingzhou (modern-day Ningbo, Zhejiang), sent someone on an 800-kilometer journey to Huangzhou to visit Su and requested to read his new works. As a true confidant, Fu’s admiration compelled Su to pen this ink inscription.

 
Su Shih wrote this piece with extraordinary precision and rigor, showcasing a meticulous application of brushwork. The strokes are full and lively, embodying the theory that calligraphy should possess “spirit, vitality, structure, texture, and substance.” Through the skeletal framework (structure), plump and rich strokes (texture), and fluid brush movements (substance), coupled with extensive experience, one can almost reconstruct the muscle movements of the artist at the time of writing, perceiving his heartbeat and breath (vitality) and achieving an elevated sense of spirit (spirit). Su’s work exemplifies the previously obscure concept of “writing reflects the person,” thoroughly exploring, developing, and demonstrating it. He showed the world how to use calligraphy to express personal temperament and emotions, unlocking infinite possibilities for this ancient art form.

 

 

 
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