Utagawa Hiroshige

Fireworks over Ryogoku Bridge

Utagawa Hiroshige

Fireworks over Ryogoku Bridge

Print, ink and colors on paper

37.1 cm (vertical) × 25.4 cm (horizontal)

The One Hundred Famous Views in Edo is a series of works made by renowned Edo period ukiyo-e artist Utagawa Hiroshige (1797–1858) during the last two years of his life. This collection depicts the iconic landscapes and landmarks of Edo (modern-day Tokyo). The complete series comprises 120 works, four of which are believed to have been completed by his disciples. In 1854, the Ansei Great Earthquakes caused significant destruction and loss of life in Edo. Utagawa Hiroshige, in creating this series, sought to provide comfort and solace to the people of Edo during this challenging time. Fireworks over Ryogoku Bridge, from the series One Hundred Famous Views in Edo portrays the summer tradition of firework display held between May 28 and August 28 on the lunar calendar. These events took place on the Ryogoku Bridge, which spanned the provinces of Shimōsa and Musashi.

 
The composition is a distant view dominated by dark tones, with approximately three-fifths of the image showcasing a black gradient representing the night sky, in which the wood grain of the print is distinctly visible. The surface of the Sumida River is rendered with blue gradient printing, while minimal use of red highlights the fireworks, their ascending trails, and the lanterns on boats. The details of the distant scenery, architecture, boats, and crowds are delineated using precise lines and tonal variations. In the upper right corner, the red and white fireworks are depicted using advanced printing techniques to illustrate their radiance as they burst in the sky, creating a dazzling yet hazy glow. This unique depiction of fireworks signifies that this print belongs to the rare “first edition,” one of the earliest works made during the production process, with approximately 200 copies created. During this phase, the artist himself would often supervise the printing while the printmakers would employ a variety of techniques to faithfully replicate the intricate details and layers envisioned by the artist. Such first editions are considered the most valuable and rarest versions of ukiyo-e prints.

 

 

 
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