Chōkōsai Eishō

Shinohara Inside the Crane House

Chōkōsai Eishō

Shinohara Inside the Crane House

Print, ink and colors on paper

37.5 cm (vertical) × 26.1 cm (horizontal)

An Edo woman of both talent and beauty shines radiantly against the glittering mica. This work is part of the Beauty Contest in the Pleasure Quarters, a series of paintings made by artist Chōkōsai Eishō (fl. late 18th century). The term “pleasure quarters” in the title refers to the Yoshiwara red-light district in Edo (modern-day Tokyo). Within the bustling streets of this famous district, the exceptionally talented beauties of various brothels compete to attract customers. The woman depicted in this painting is named Shinohara, a leading figure from the famous brothel “Crane House.” Shinohara is shown turning three-quarter sideways, gazing at a letter in her right hand while adjusting her hairpin with her left thumb and forefinger. This pose conveys her image as a woman of intellect and beauty. Her smiling expression hints at the delightful message revealed in the letter. Notably, this piece incorporates mica as a printing material, which not only enriches the colors of the overprinting but also accentuates the woman’s fair complexion.

 
Eishō, the artist, was a distinguished disciple of Chōbunsai Eishi (1756–1829) and was renowned for his ōkubi-e prints of beautiful women. Ōkubi-e is a style of ukiyo-e that emphasizes close-up depictions of faces. During his time, Eishō’s works were often compared with those of Kitagawa Utamaro (1753–1806) and his paintings were primarily published by Yamaguchiya Chūsuke. Since Eishō’s creative period was relatively brief, his surviving works are rare, making this work especially precious.

 

 
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