Ming dynasty AD1368-1644

Lin Liang

Hawk in Autumn

Ming dynasty AD1368-1644

Lin Liang

Hawk in Autumn

Hanging scroll, ink and colors on silk

136.8 cm (vertical) × 74.8 cm (horizontal)

Lin Liang (fl. around the mid-to-late 15th century) was a court painter of bird-and-flower paintings during the Ming dynasty. He excelled in using the ink wash mogu (boneless) technique to depict birds, creating works with vivid plumage and a sense of natural vitality and rustic elegance. During his time, Lin was celebrated as a master of freehand style bird-and-flower paintings, influencing art circles of the Ming and Qing dynasties. Among his surviving masterpieces, Hawk in Autumn in the National Palace Museum’s collection stands out as a particularly exceptional work.

 
This painting depicts a hawk swooping down in a dramatic dive to chase its prey, while below, a crested myna flees in panic; its terrified demeanor is vividly captured. The diagonal sweep of a gnarled branch extends from the left, cleverly dividing the composition while connecting the two birds. The brushstrokes used for foliage are swift and dynamic, with the curves of the branches echoing the hawk’s sharp turn in pursuit, guiding viewers’ eyes through the scene. Fine branches on the left and right sides form a net-like structure, intensifying the sense of obstacles in the prey’s escape and heightening the tension of the chase. The piece predominantly employs ink, with subtle touches of color and light washes that create an atmospheric, misty effect. Despite its freehand style, the painting demonstrates meticulous attention to detail, evident in the careful rendering of features such as the birds’ beaks, eyes, and claws, showcasing the artist’s keen observations of nature. Through skillful composition and dynamic brushwork, Lin Liang has imbued this dramatic scene with a strong sense of tension and vitality.

 

 

 
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