Yuan dynasty AD1279-1368

Wang Meng

Fishing in Reclusion on a Flowering River

Yuan dynasty AD1279-1368

Wang Meng

Fishing in Reclusion on a Flowering River

Hanging scroll, ink and colors on paper

129 cm (vertical) × 58.3 cm (horizontal)

Wang Meng (1308–1385), one of the Four Masters of the Yuan Dynasty, created Recluse on a Flowering Stream, a painting inspired by Eastern Jin dynasty poet Tao Yuanming’s (365–427) The Peach Blossom Spring that describes a fisherman’s serendipitous discovery of an idyllic utopia. The composition divides the scene into foreground and background, where the foreground depicts a secluded dwelling, flanked by blooming peach trees along both riverbanks. On the river, a fishing boat drifts serenely, with a fisherman casting his line and a woman seated inside a cabin. This imagery echoes the poetic allusion in the inscription to Fan Li (536–448 BCE) and Xi Shi retreating together to the Five Lakes in a boat. Behind the village, layered hills rise, separating the village from a distant mountain village and reinforcing the sense of isolation from the mundane world.

 
The theme of Recluse on a Flowering Stream was previously used by Wang Meng’s grandfather, Zhao Mengfu (1254–1322). The painting’s depiction of willow trees in front of a residence closely resembles Zhao’s Autumn Colors on the Ch’ueh and Hua Mountains, demonstrating Zhao’s influence on Wang. However, Wang introduced major innovations, such as the dense brushwork and short, curved lines used to render the mountains. This technique, known as “ox-hair texture strokes,” conveys the lush vegetation of the Jiangnan region. While the imagery draws on The Peach Blossom Spring, the depicted setting may be based on Zha Creek, Wuxing in Zhejiang. This blending of literary inspiration with real-world locations pioneered a novel approach to painting reclusive landscapes.

 

 

 

 

 

 

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