Hanging scroll, ink on silk
This painting’s style resembles that of Mt. Kuanglu (by Jing Hao (fl. 10th century)) housed in the National Palace Museum and represents a classic example of Northern Chinese landscape paintings. Although the artwork lacks an author’s signature, Emperor Qianlong (reigned 1735–1796) played a key role in interpreting and naming the work. In 1751, he inscribed a poetic colophon: “Autumn hills in clusters, a serene grass hut, frosty skies high above, and autumn trees in crimson. The Four Masters of the Yuan dynasty gathered here, with the Seven Sages of the Jin dynasty coming and going. Deeply moved by the laborious composition, amid steep cliffs and verdant glades, I hold my new manuscript, reviewing and editing line by line.” Simultaneously, the emperor titled the painting Autumn Mountain by a Song Artist and stamped it with seals such as “Qianlong’s imperial calligraphy” and “appreciated by the emperor.”