Yuan dynasty AD1279-1368

Painting Catalogue of the Hsuan-ho Collection

Yuan dynasty AD1279-1368

Painting Catalogue of the Hsuan-ho Collection

25.3 x 16 cm (print: 20.5 x 12.1 cm)

Anonymous, Song dynasty (960-1279)
1302 Yuan dynasty Hangchow imprint by Wu Wen-kuei
 
This book is a catalogue describing the imperial collection of painting in the inner court under Emperor Huizong (r. 1101-1125) of Song and an important source of information on early Chinese painting. Divided into ten sections according to the subject matter of painting, it is composed of 20 chuan (chapters). The contents mention 231 artists from the Jin dynasty (265-317) to the Northern Song dynasty (960-1126) as well as 6396 hanging scrolls and even Japanese painting. Completed in 1120, the editor(s) remain unknown. However, it appears to have been composed by officials at court and submitted to Huizong. Though coming from several hands, it is uniform throughout.
 
The publication of this text took place sometime during the reign of Emperor Gaozong (r. 1127-1162), after the government had moved south following the fall of the Northern Song dynasty. No other Song publications of this text are mentioned elsewhere. The 1302 printing by a Mr. Wu in Hangchow during the Yuan dynasty (1279-1368) was the second time this text was reprinted. The third time was in 1540, during the Ming dynasty (1368-1644). The text was also reprinted and recorded in a private collection of the late Ming and one in the Qing dynasty (1644-1911), making for a total of five editions. The earliest one, the Gaozong edition, has long since been lost. The 1302 edition, except for the copy now in the National Palace Museum, is not recorded in any other collection. Therefore, this book is not only the earliest surviving copy of this text, but also an important source for cross-referencing with later reprintings. As to when it entered the Qing imperial collection, no mention is found in the continuation of the catalogue to the T'ien-lu lin-lang library. However, judging from the seals and inscriptions in the book, it once was appreciated by famous painters and passed through the hands of book collectors such as Chao Yen-ho, Lu Chih, Sun K'o-hung, Wang Shih-min, and Ku Mei.
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