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    Painting Animation: The Cold Food Observance

    • Dates: 2017/03/31~2017/06/29
    • Gallery: Exhibition Area I 102
    CC BY 4.0

    Exhibit

    The Cold Food Observance manuscript was composed in 1079 while Su Shi was living in exile in Huangzhou (Huanggang, Hubei). On the Cold Food Festival in the fourth month of his third year there, he was inspired by the change in seasons to comment on the difficulties of life and the frustrations in his official career, composing "Two Poems on the Cold Food Observance in Rain," which he later transcribed in calligraphy to this hand scroll. Later generations praise this manuscript as Su Shi's best surviving calligraphy. At the end of the manuscript is a colophon by Huang Tingjian, adding another layer for appreciation.

    This film utilizes the newest animation technologies to capture the dramatic interplay between the fluctuating emotions in Su Shi's poems and the expressive ink traces left by his brush. Su Shi’s characters lean here and there in a bold and unrestrained manner, exhibiting complexity in rhythm and form. 

    Exhibition Package Content

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    Painting and Calligraphy of the Enlightened Elder: A Special Exhibition of Artworks Donated by the Family of Fu Chuan-fu_4

    • Dates: 2017/01/25~2017/04/25
    • Gallery: Exhibition Area I 105,107
    CC BY 4.0

    Exhibit

    Fu Chuan-fu (1910-2007) originally had the name Baoqing but became known by his sobriquet Juanfu (Chuan-fu) to avoid confusion with another famous contemporary painter, Fu Baoshi. Fu Chuan-fu also had the sobriquet Xuehua cunren and, after the age of seventy, took the sobriquet Jueweng ("Enlightened Elder"). A native of Hangzhou in Zhejiang, he reached great heights in painting and calligraphy. After coming to Taiwan in 1949, he continued to innovate as an artist, developing a unique form of "unbroken cursive" script calligraphy. In painting, he also skillfully adopted the coastal waves, sea of clouds, and rugged peaks of Taiwan, becoming renowned as the "Spokesman for Taiwan's Landscape. "Fu Chuan-fu excelled at both painting and calligraphy, and many in the core of today's art circles have studied under him, demonstrating his profound influence on contemporary painting and calligraphy in Taiwan.

    Between 2010 and 2012, members of Fu Chuan-fu's family generously donated 134 works of painting and calligraphy by or related to him. In addition to these 63 pieces of calligraphy and 71 paintings, the donation also included 100 of the seals he used; together, they now form part of the National Palace Museum’s permanent collection. Not only are there works of painting and calligraphy by Fu himself but also examples by his teacher Wang Renzhi (1869-1932), father Fu Yu (1880-1959), and wife Fu-Si Te-fang (1916-). Moreover, there are title pieces written for his painting studio by such renowned friends of his in the art world as Yu Yu-jen (1879-1964) and Pu Hsin-yu (1896-1963); most of the seals are carved by Wang Chuang-wei (1909-1998), Wu Ping (1920-), and other contemporary masters in the field. As a group, these works serve as a precious testament to the heritage, family, friends, and artistic achievements of Fu Chuan-fu. Besides enriching the National Palace Museum collection, they also enhance the Museum’s connection to the local Taiwan art scene and testify to a crucial point in the transformation of traditional Chinese ink painting in modern times.

    In gratitude to the family of Fu Chuan-fu for its great generosity in donating this collection of artworks, the National Palace Museum is holding this exhibition, featuring a selection of 78 works of painting and calligraphy as well as 53 seals, to commemorate Fu's attainments. The display spans his career and is divided into six sections: "A Visitor from Xiling," "Major Cursive Script Unbroken," "The Landscape of Taiwan," "Communing with Mi Fu," "Ink Realms of the Elder," and "Fragrance from the Heart." Together, they fully represent the art and life of Fu Chuan-fu. On the tenth anniversary of his passing, the National Palace Museum offers its sincere respect to him by holding this special exhibition. 

    Exhibition Package Content

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    覺翁書畫─傅狷夫先生家族捐贈文物特展_3

    • Dates: 2017/01/25~2017/04/25
    • Gallery: Exhibition Area I 105,107
    CC BY 4.0

    Exhibit

    Fu Chuan-fu (1910-2007) originally had the name Baoqing but became known by his sobriquet Juanfu (Chuan-fu) to avoid confusion with another famous contemporary painter, Fu Baoshi. Fu Chuan-fu also had the sobriquet Xuehua cunren and, after the age of seventy, took the sobriquet Jueweng ("Enlightened Elder"). A native of Hangzhou in Zhejiang, he reached great heights in painting and calligraphy. After coming to Taiwan in 1949, he continued to innovate as an artist, developing a unique form of "unbroken cursive" script calligraphy. In painting, he also skillfully adopted the coastal waves, sea of clouds, and rugged peaks of Taiwan, becoming renowned as the "Spokesman for Taiwan's Landscape. "Fu Chuan-fu excelled at both painting and calligraphy, and many in the core of today's art circles have studied under him, demonstrating his profound influence on contemporary painting and calligraphy in Taiwan.

    Between 2010 and 2012, members of Fu Chuan-fu's family generously donated 134 works of painting and calligraphy by or related to him. In addition to these 63 pieces of calligraphy and 71 paintings, the donation also included 100 of the seals he used; together, they now form part of the National Palace Museum’s permanent collection. Not only are there works of painting and calligraphy by Fu himself but also examples by his teacher Wang Renzhi (1869-1932), father Fu Yu (1880-1959), and wife Fu-Si Te-fang (1916-). Moreover, there are title pieces written for his painting studio by such renowned friends of his in the art world as Yu Yu-jen (1879-1964) and Pu Hsin-yu (1896-1963); most of the seals are carved by Wang Chuang-wei (1909-1998), Wu Ping (1920-), and other contemporary masters in the field. As a group, these works serve as a precious testament to the heritage, family, friends, and artistic achievements of Fu Chuan-fu. Besides enriching the National Palace Museum collection, they also enhance the Museum’s connection to the local Taiwan art scene and testify to a crucial point in the transformation of traditional Chinese ink painting in modern times.

    In gratitude to the family of Fu Chuan-fu for its great generosity in donating this collection of artworks, the National Palace Museum is holding this exhibition, featuring a selection of 78 works of painting and calligraphy as well as 53 seals, to commemorate Fu's attainments. The display spans his career and is divided into six sections: "A Visitor from Xiling," "Major Cursive Script Unbroken," "The Landscape of Taiwan," "Communing with Mi Fu," "Ink Realms of the Elder," and "Fragrance from the Heart." Together, they fully represent the art and life of Fu Chuan-fu. On the tenth anniversary of his passing, the National Palace Museum offers its sincere respect to him by holding this special exhibition. 

    Exhibition Package Content

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    Painting and Calligraphy of the Enlightened Elder: A Special Exhibition of Artworks Donated by the Family of Fu Chuan-fu_2

    • Dates: 2017/01/25~2017/04/25
    • Gallery: Exhibition Area I 105,107
    CC BY 4.0

    Exhibit

    Fu Chuan-fu (1910-2007) originally had the name Baoqing but became known by his sobriquet Juanfu (Chuan-fu) to avoid confusion with another famous contemporary painter, Fu Baoshi. Fu Chuan-fu also had the sobriquet Xuehua cunren and, after the age of seventy, took the sobriquet Jueweng ("Enlightened Elder"). A native of Hangzhou in Zhejiang, he reached great heights in painting and calligraphy. After coming to Taiwan in 1949, he continued to innovate as an artist, developing a unique form of "unbroken cursive" script calligraphy. In painting, he also skillfully adopted the coastal waves, sea of clouds, and rugged peaks of Taiwan, becoming renowned as the "Spokesman for Taiwan's Landscape. "Fu Chuan-fu excelled at both painting and calligraphy, and many in the core of today's art circles have studied under him, demonstrating his profound influence on contemporary painting and calligraphy in Taiwan.

    Between 2010 and 2012, members of Fu Chuan-fu's family generously donated 134 works of painting and calligraphy by or related to him. In addition to these 63 pieces of calligraphy and 71 paintings, the donation also included 100 of the seals he used; together, they now form part of the National Palace Museum’s permanent collection. Not only are there works of painting and calligraphy by Fu himself but also examples by his teacher Wang Renzhi (1869-1932), father Fu Yu (1880-1959), and wife Fu-Si Te-fang (1916-). Moreover, there are title pieces written for his painting studio by such renowned friends of his in the art world as Yu Yu-jen (1879-1964) and Pu Hsin-yu (1896-1963); most of the seals are carved by Wang Chuang-wei (1909-1998), Wu Ping (1920-), and other contemporary masters in the field. As a group, these works serve as a precious testament to the heritage, family, friends, and artistic achievements of Fu Chuan-fu. Besides enriching the National Palace Museum collection, they also enhance the Museum’s connection to the local Taiwan art scene and testify to a crucial point in the transformation of traditional Chinese ink painting in modern times.

    In gratitude to the family of Fu Chuan-fu for its great generosity in donating this collection of artworks, the National Palace Museum is holding this exhibition, featuring a selection of 78 works of painting and calligraphy as well as 53 seals, to commemorate Fu's attainments. The display spans his career and is divided into six sections: "A Visitor from Xiling," "Major Cursive Script Unbroken," "The Landscape of Taiwan," "Communing with Mi Fu," "Ink Realms of the Elder," and "Fragrance from the Heart." Together, they fully represent the art and life of Fu Chuan-fu. On the tenth anniversary of his passing, the National Palace Museum offers its sincere respect to him by holding this special exhibition. 

    Exhibition Package Content

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    Painting and Calligraphy of the Enlightened Elder: A Special Exhibition of Artworks Donated by the Family of Fu Chuan-fu_1

    • Dates: 2017/01/25~2017/04/25
    • Gallery: Exhibition Area I 105,107
    CC BY 4.0

    Exhibit

    Fu Chuan-fu (1910-2007) originally had the name Baoqing but became known by his sobriquet Juanfu (Chuan-fu) to avoid confusion with another famous contemporary painter, Fu Baoshi. Fu Chuan-fu also had the sobriquet Xuehua cunren and, after the age of seventy, took the sobriquet Jueweng ("Enlightened Elder"). A native of Hangzhou in Zhejiang, he reached great heights in painting and calligraphy. After coming to Taiwan in 1949, he continued to innovate as an artist, developing a unique form of "unbroken cursive" script calligraphy. In painting, he also skillfully adopted the coastal waves, sea of clouds, and rugged peaks of Taiwan, becoming renowned as the "Spokesman for Taiwan's Landscape. "Fu Chuan-fu excelled at both painting and calligraphy, and many in the core of today's art circles have studied under him, demonstrating his profound influence on contemporary painting and calligraphy in Taiwan.

    Between 2010 and 2012, members of Fu Chuan-fu's family generously donated 134 works of painting and calligraphy by or related to him. In addition to these 63 pieces of calligraphy and 71 paintings, the donation also included 100 of the seals he used; together, they now form part of the National Palace Museum’s permanent collection. Not only are there works of painting and calligraphy by Fu himself but also examples by his teacher Wang Renzhi (1869-1932), father Fu Yu (1880-1959), and wife Fu-Si Te-fang (1916-). Moreover, there are title pieces written for his painting studio by such renowned friends of his in the art world as Yu Yu-jen (1879-1964) and Pu Hsin-yu (1896-1963); most of the seals are carved by Wang Chuang-wei (1909-1998), Wu Ping (1920-), and other contemporary masters in the field. As a group, these works serve as a precious testament to the heritage, family, friends, and artistic achievements of Fu Chuan-fu. Besides enriching the National Palace Museum collection, they also enhance the Museum’s connection to the local Taiwan art scene and testify to a crucial point in the transformation of traditional Chinese ink painting in modern times.

    In gratitude to the family of Fu Chuan-fu for its great generosity in donating this collection of artworks, the National Palace Museum is holding this exhibition, featuring a selection of 78 works of painting and calligraphy as well as 53 seals, to commemorate Fu's attainments. The display spans his career and is divided into six sections: "A Visitor from Xiling," "Major Cursive Script Unbroken," "The Landscape of Taiwan," "Communing with Mi Fu," "Ink Realms of the Elder," and "Fragrance from the Heart." Together, they fully represent the art and life of Fu Chuan-fu. On the tenth anniversary of his passing, the National Palace Museum offers its sincere respect to him by holding this special exhibition. 

    Exhibition Package Content

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    Staying Industrious and Shunning Luxury: the Qing Emperor Jiaqing and the Art of His Time_4

    • Dates: 2017/01/07~2017/06/18
    • Gallery: Exhibition Area I 103
    CC BY 4.0

    Exhibit

    Jiaqing (1760-1820) was the 15th son of the Qianlong emperor (1711-1799, r. 1736-1795), the 5th Qing emperor to rule over China. His full name was Aisin Gioro Yongyan, and he was also known by his temple name Renzong. He ruled for 25 years (1796-1820) under the reign name Jiaqing, pronounced "Saicungga Fengšen" in Manchu, meaning "possessive of good fortune and blessing" or "worthy of good fortune and blessing." 

    Exhibition Package Content

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    Staying Industrious and Shunning Luxury: the Qing Emperor Jiaqing and the Art of His Time_3

    • Dates: 2017/01/07~2017/06/18
    • Gallery: Exhibition Area I 103
    CC BY 4.0

    Exhibit

    Jiaqing (1760-1820) was the 15th son of the Qianlong emperor (1711-1799, r. 1736-1795), the 5th Qing emperor to rule over China. His full name was Aisin Gioro Yongyan, and he was also known by his temple name Renzong. He ruled for 25 years (1796-1820) under the reign name Jiaqing, pronounced "Saicungga Fengšen" in Manchu, meaning "possessive of good fortune and blessing" or "worthy of good fortune and blessing." 

    Exhibition Package Content

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    Staying Industrious and Shunning Luxury: the Qing Emperor Jiaqing and the Art of His Time_2

    • Dates: 2017/01/07~2017/06/18
    • Gallery: Exhibition Area I 103
    CC BY 4.0

    Exhibit

    Jiaqing (1760-1820) was the 15th son of the Qianlong emperor (1711-1799, r. 1736-1795), the 5th Qing emperor to rule over China. His full name was Aisin Gioro Yongyan, and he was also known by his temple name Renzong. He ruled for 25 years (1796-1820) under the reign name Jiaqing, pronounced "Saicungga Fengšen" in Manchu, meaning "possessive of good fortune and blessing" or "worthy of good fortune and blessing." 

    Exhibition Package Content

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    Staying Industrious and Shunning Luxury: the Qing Emperor Jiaqing and the Art of His Time_1

    • Dates: 2017/01/07~2017/06/18
    • Gallery: Exhibition Area I 103
    CC BY 4.0

    Exhibit

    Jiaqing (1760-1820) was the 15th son of the Qianlong emperor (1711-1799, r. 1736-1795), the 5th Qing emperor to rule over China. His full name was Aisin Gioro Yongyan, and he was also known by his temple name Renzong. He ruled for 25 years (1796-1820) under the reign name Jiaqing, pronounced "Saicungga Fengšen" in Manchu, meaning "possessive of good fortune and blessing" or "worthy of good fortune and blessing." 

    Exhibition Package Content

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    The Ancient Art of Writing: Selections from the History of Chinese Calligraphy

    • Dates: 2017/01/01~2017/03/25
    • Gallery: Exhibition Area I 204,206
    CC BY 4.0

    Exhibit

    To meet the need for recording information and ideas, unique forms of calligraphy (the art of writing) have been part of the Chinese cultural tradition through the ages. Naturally finding applications in daily life, calligraphy still serves as a continuous link between the past and the present. The development of calligraphy, long a subject of interest in Chinese culture, is the theme of this exhibit, which presents to the public selections from the National Palace Museum collection arranged in chronological order for a general overview. 

    Exhibition Package Content

Last Update: 2017-09-20