A Literary Gathering at Wenshan: Where the zither's melody and scholar's ink dance in harmony, Period 2017/05/24-, NCCU Research and Innovation-Incubation Center, First floor
A Literary Gathering at Wenshan: Where the zither's melody and scholar's ink dance in harmony, Period 2017/05/24-, NCCU Research and Innovation-Incubation Center, First floor
:::

In the recent ten years, the National Palace Museum (NPM) has cultivated its digital realm and enriched its content using resources from the digital humanities. A Literary Gathering at Wenshan is the result of a special collaboration between National Chengchi University and the National Palace Museum. This new media art exhibition gathers interdisciplinary knowledge and interactive, virtual reality, and 4G mobile technology to produce the newest innovative digital applications based on the cultural wellspring of the NPM collection.

This exhibition uses the theme of a literary gathering, at which scholars in ancient times engaged in the practice of meeting friends by literary composition. At these banquets, participants wrote, painted, played instruments, or games while tasting tea. The Ming dynasty painting, Eighteen Scholars, depicts such a scene where figures appear to be engrossed in the four classical arts of zither, chess, calligraphy, and painting. The exhibition is organized according to these four classical arts. The audience is invited to play a tune on the Ch'un Lei Zither interactive installation, experience the world of Chinese calligraphy in The Spirit of Autobiography, and enter a landscape painting through Roaming through Fantasy Land. The exhibition encapsulates the idea of “exploring through art,” which is the cornerstone of the Tran-Artistry Project in the Humanities sponsored by National Chengchi University.

Gallery Plan

The zither is a ceremonial instrument holding the most prominent position in the four classical arts—zither, chess, calligraphy, and painting. The zither was believed to have the capacity to cultivate one's spirit. Its melodic principles have a long and continuous tradition, making it a representative instrument of Chinese classical music.

Ch'un Lei Zither Interactive Installation

Tang dynasty (618-907) Lei Wei
Connected-pearl styled zither: length 126 cm, height 10.8 cm, body width 22.1 cm, tail width 17.2 cm

The Ch'un Lei Zither interactive installation was inspired from the Tang dynasty zither so named by the two Chinese characters, "ch'un lei" (literally, "spring thunder"), carved in semi-cursive script on the underside of the neck. An ancient treasure of superior quality, the zither exhibits a rotund external body and black lacquer finish. When played, the tone is at once resonant and penetrating.

This installation uses holographic projection technology to create a virtual effect of combining the real with the virtual. Interactive instructions demonstrate the basic fingering variations and guide players through simple monophonic melodies while sensors track their finger motions. As the player's tempo varies, the elements in the animated image of Playing a Zither Under Trees move in sync.

Chess holds the reputation as a game of refinement, also a game of strategy.
It is used to sharpen the intellect and is one of the treasures of Chinese culture.

The Eighteen Scholars

(Digital Replica)
Ming dynasty (1368-1644) Anonymous

The Eighteen Scholars is composed of four separate scrolls, each depicting one of the four classical arts—zither, chess, calligraphy, and painting. In the chess scroll, two academicians are playing against each other while two others observe. All figures appear fully absorbed in the game. The circular composition is enclosed, almost like a stage, by the screen behind the players, wooden chairs, curiously shaped stones, and surrounding servants.

The eighteen scholars allusion originated when Emperor Taizong (reigned 626-649) was still Prince Qin. He established the Institute of Literary Studies and amassed scholars to serve as academicians. After he ascended the throne, he ordered imperial artist Yan Li Ben to create paintings of scholars in groups of eighteen as a manifestation of the emperor's appreciation for his officials. Painters in successive generations often liked to revisit this painting subject.

Calligraphy holds a special place in the art of the East Asian cultural sphere. Representative of the spirit of the scholarly class, calligraphy has developed into a comprehensive system within Chinese culture, with various styled texts and evolutionary pathways.
Some follow the classics faithfully; others build and reinvent upon the old. Withstanding the test of time, calligraphy is an art form still applicable in contemporary life.

The Spirit of Autobiography NPM Calligraphy VR

Run, dance, and write freely in a real-time reinterpretation of ancient calligraphy!
The Spirit of Autobiography, inspired from Autobiography, the world-famous cursive script masterpiece produced by Tang dynasty monk Huaisu, is the world's very first calligraphy virtual reality installation. In the original calligraphic masterpiece, Huaisu excerpts poetic praise given to him by his contemporaries, who compares his calligraphy to images in nature. A famous segment, "my brush varies as the snake glides poised into his post, or thrashes in tune with the windstorm upon the walls," captures the changing rhythm in Huaisu's brushwork.

Once the virtual reality headset is put on, the image of Autobiography transforms into a virtual theater and the calligraphic text transforms rapidly from dragons and snakes into a storm. A dancer dances slowly in the diaphanous mist between water and sky, using his dance forms to interpret the speed and strength behind the brush. Finally, the user can pick up a virtual brush and practice writing calligraphy.

The ancients walked the earth and learned directly from nature, engaging all five senses, first internalizing the experience, then using brush and ink for expression. A literary gathering presented the opportunity to appraise the aesthetic qualities of painting and calligraphic works.

Roaming through Fantasy Land NPM Painting VR

Take a virtual journey through an ancient Chinese painting!
Roaming Through Fantasy Land is a virtual reality adaptation of Zhao Mengfu's painting, Autumn Colors on the Qiao and Hua Mountains. This scroll was originally composed for Zhou Mi, an elder who, despite sharing the same ancestral home as Zhao in Shandong, lived in the Jiangnan region all his life. Zhao, having served as an official in Shandong, created a scene with the mountains and waters of Jinan as a gift to quell Zhou Mi's nostalgic longing.

When exploring the virtual landscape of Jinan, the user can enter the hut in the painting and look at details in the original painting. Lightly tipping the boat, the user glides easily across the ancient Yellow River and behold the surrounding sandbanks, trees, and rocks. By an immersed contemplation of the blue-and-green genre landscape typical of the scholarly class, users experience in person the traditional practice of exchanging paintings as gifts between intimate friends.

Information


Visit Info


Exhibition Period: May 24th, 2017 -
Exhibition Hours: Every Monday, Wednesday, Friday from 13:30-16:30 (For other times, please consult 02-29393091 ext. 69303)
Fare: Free Admission
Exhibition Location: NCCU Research and Innovation-Incubation Center, First floor

Location